- Aitana performs at the Palau Sant Jordi on September 4, 5, 7, and 8 with all tickets sold out.
- The series continues at the Movistar Arena in Madrid on the 11th, 12th, 14th, and 15th.
- GALE, Ganges, Luzía, Chiara Oliver, and Gara Durán participate as opening acts in the eight dates.
Aitana in Barcelona starts this September 4 a series of four sold-out concerts at the Palau Sant Jordi. The Cuarto Azul World Tour will continue with another four nights in Madrid, before two dates in Bilbao and the Spanish artist’s international leap through America and Europe.
Four Palau Sant Jordi with everything sold out
Aitana’s return to the stage after the summer break begins with a large-format image: four concerts at the Palau Sant Jordi, scheduled for the days 4, 5, 7, and 8 of September. EL PAÍS estimates 74,000 people will attend the four nights, all with tickets sold out.
The performances are scheduled for 21:00. The choice of alternate dates after the first weekend allows for a brief residency in the city without reducing the scale of the setup. Barcelona thus becomes the reactivation point of a tour that began its Spanish journey in May.
The show revolves around *Cuarto azul*, Aitana’s fourth studio album. The proposal recovers the visual and emotional universe of the album and brings it to the center of the venue, with a production designed for large audiences.
Different opening acts for an exceptional residency
The eight nights in Barcelona and Madrid include guest artists. GALE opens the concerts on September 4 and 5 in Barcelona; Ganges performs on the 7th and Luzía on the 8th. This decision makes each date a slightly different experience and offers a showcase for projects with their own identities.
In Madrid, the list of opening acts continues with names like Chiara Oliver and Gara Durán, in addition to other participants announced for the dates at the Movistar Arena. The programming reinforces a characteristic of the final Spanish leg: eight major concerts led by an artist and also opened by emerging or established female voices.
GALE also maintains a creative relationship with the repertoire of *Cuarto azul*, having participated as a songwriter in songs from the project. The presence of the guests does not function, therefore, as an indifferent addition, but as an extension of the musical ecosystem of the album.
From Barcelona to Madrid and Bilbao
After the Palau Sant Jordi, the tour will arrive at the Movistar Arena in Madrid on the 11th, 12th, 14th, and 15th of September. The Spanish tour will end in Bilbao on the 18th and 19th. There are ten concerts concentrated in three cities over just over two weeks.
After that, the Cuarto Azul World Tour will continue in America. The announced dates include stops in Bogotá, Chile, Argentina, Mexico, and the United States. In January 2027, the artist will return to Europe, and the closing is scheduled in Paris in February.
The international scale confirms the ambition of the project. Aitana does not limit herself to chaining dates: she builds an extensive tour around an album that has maintained presence on platforms and networks. The consulted sources highlight the performance of “Superestrella” and the second digital life of other songs from the album.
Spanish pop measures its strength live
The four sold-out shows in Barcelona allow us to observe Aitana’s current position within Spanish pop. Repeating a large venue in the same city requires sustained demand, a recognizable repertoire, and a production capable of maintaining intensity night after night.
The residency also modifies the relationship between artist and city. It is not an isolated visit: for five days, the Palau Sant Jordi becomes the home of the same show. The audience arrives from different points, the opening acts change, and each concert generates its own narrative without breaking the unity of the tour.
This September 4, therefore, begins something more than the return after the summer. It starts the leg that will close the Spanish phase of *Cuarto Azul* before its international expansion. With eight sold-out nights between Barcelona and Madrid, Aitana turns the national closure into a demonstration of scale, continuity, and connection with her audience.
